Bay
A walk on the granite and a one-page note of stills versus motion. If a modifier will not travel into coverage, we split the day on paper.
The plot is shared between stills and motion from the first recce. Colour sits in pre-production, not after picture lock. Finishing is not a stranger at the end of the job, and the archive is named so another team can open it a year later.
A walk on the granite and a one-page note of stills versus motion. If a modifier will not travel into coverage, we split the day on paper.
Stills and motion share it. No second truck, no second white. Gels and diffusion are named before we leave Calle del Sol.
Tethered before the cloud moves. Selects happen while the key still exists.
Cool without going dead. Skin and granite share a decision. The show LUT is the stills LUT.
Masters labelled for print, Rec.709, 1:1 and 9:16. An archive a producer can open a year later.